bliss

thehystericalsociety:

Boogeymen - part of a series of eerie stereoviews - dated 1923 (Via)

We now know that whatever you vibrate, you create and attract to yourself. So, you work on healing yourself in order to create peace around you. You become peace. If there’s conflict living within you, you cannot live in a world of peace. The world mirrors back to you perfectly the condition of your love and of your intent. And if the world you’re living in is not a world that is at peace and at joy and at grace, then you have to find peace, joy, and grace within you. The shaman no longer looks for meaning in life, but brings meaning to every situation. The shaman stops looking for truth and instead brings truth to every encounter. You don’t look for the right partner, you become the right partner. And then the right partner finds you. It’s a very active practice focused on healing.
Alberto Villoldo, Shaman  (via ohmothernature)

echalegalleta:

littleoutsider:

WHY DO WE NEVER TALK ABOUT THE FACT THAT FOR THE PAST 15 YEARS IN A SMALL TOWN IN ALASKA THE MAYOR HAS BEEN A CAT 

mAYOR STUBBS

 ”He doesn’t raise our taxes - we have no sales tax. He doesn’t interfere with business,” said Lauri Stec “He’s honest.”

and he oNLY drinks water from a wine glass

A town decided that a cat would be a better mayor than people

“He’s good, probably the best we’ve had,”

most beloved,
i am certain of nothing more
than your existence

a thousand ants
crawling under a log
may find themselves exposed
in my childlike search
for you

Saul Williams, “Said the Shotgun to the Head” (via cowboykiller)
shwagerr:

egberts:

mabeltron3000:

oomshi:

me when my mom says we’re getting mcdonalds

Jesus Christ what is happening

we’re going to mcdonalds

Brb dying

shwagerr:

egberts:

mabeltron3000:

oomshi:

me when my mom says we’re getting mcdonalds

Jesus Christ what is happening

we’re going to mcdonalds

Brb dying

twitturds:

walk into the club like wait nevermind can we go home


Marina Abramović, Rhythm 0, 1974
“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

Marina Abramović, Rhythm 0, 1974

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

anniephantom:

labirdgeoiseed:

this is my favorite goofy pun ever, I have told it at least five times

I don’t care, fuck you

okay ready

as you all know, saint patrick walked barefoot as an act of contrition, which made his feet rugged and blistered. he ate an ascetic’s diet, which made him weak and additionally gave him bad breath.

all of this made him

a super-calloused fragile mystic hexed by halitosis

oh my god

mary-jane-jones:

tessahighlander:

lesbiansarekind0fmything:

babywarrior5:

mccunt:

stangefruitandwildthing:

Geraldine Hoff Doyle, was a 17 years (in 1942) while she was working at the American Broach & Machine Co. when a photographer snapped a pic of her on the job.
That image used by J. Howard Miller for the “We Can Do It!” poster, released during World War II. 

Oh shit, that’s the real “Rosie the Riveter” ?
BAMF

BAMF INDEED. This woman deserves all the respect in the universe!
I need this on my blog. 

this should have way more notes

Step aside, people, Rosie the fucking Riveter is on your dash!

mary-jane-jones:

tessahighlander:

lesbiansarekind0fmything:

babywarrior5:

mccunt:

stangefruitandwildthing:

Geraldine Hoff Doyle, was a 17 years (in 1942) while she was working at the American Broach & Machine Co. when a photographer snapped a pic of her on the job.

That image used by J. Howard Miller for the “We Can Do It!” poster, released during World War II. 

Oh shit, that’s the real “Rosie the Riveter” ?

BAMF

BAMF INDEED. This woman deserves all the respect in the universe!

I need this on my blog. 

this should have way more notes

Step aside, people, Rosie the fucking Riveter is on your dash!